
ARTICULATION and FINGERWORK STUDY from OP. 13, No. 3 –
Jacques-François Gallay (1795-1864)
Even though the content of this study is very different to that of No. 2, as far as articulation is concerned, there are distinct similarities with regards to approach and delivery.
All too often, when flute players are presented with continuous two note slurred groupings (in this case semiquavers or 16th notes), due to a lack of……
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