
ARTICULATION STUDY from OP. 13, No. 1 – Jacques-François Gallay (1795-1864)
Articulation on any woodwind or brass instrument is not without its complications. The way in which we bring life and sound to a note, irrespective of our numerous and obvious physical failings, should always respect the music that we are playing. An explosive attack that might be appropriate and even requested for a contemporary piece of music, would be horribly out of place in a……
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