Gallay Study No. 9 - Trailer FINGERWORK and INTERVALS from OP. 13, No. 9 Jacques-François Gallay (1795-1864) Whilst on paper at least, there appears to be little to over challenge us in this study, we are going to need to give every ounce of attention...
Gallay Study No. 8 - Trailer INTERVALS and ARTICULATION from OP. 13, No. 8 Jacques-François Gallay (1795-1864) With a marking of Allegro risoluto, we can safely assume that this study needs to be played with a sturdy degree of backbone and grip. However, we...
Gallay Study No. 7 - Trailer FINGERWORK and ARTICULATION from OP. 13, No. 7 Jacques-François Gallay (1795-1864) With a marking of Agitato, it is clear that Gallay is wanting us to approach and play this study with a high degree of frenzied urgency. If this were...
Gallay Study No. 6 - Trailer BREATHING and PHRASING STUDY from OP. 13, No. 6 Jacques-François Gallay (1795-1864) I have to confess that when I was young, playing slow melodies on the flute held little in the way of interest to me. As is so often the case with...
Gallay Study No. 5 - Trailer ARTICULATION and INTERVALS STUDY from OP. 13, No. 5 Jacques-François Gallay (1795-1864) Repetition is a familiar method for drumming home a technical point, but that repetition is as good as useless if there is little in the way of...
Gallay Study No. 4 - Trailer ARTICULATION STUDY from OP. 13, No. 4 – Jacques-François Gallay (1795-1864) Reading and understanding a musical score, in this instance, Gallay, Opus 13, No. 4, should share parallels with reading a book. In a book, the words take...
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