Gallay Study No. 2 - Trailer ARTICULATION STUDY from OP. 13, No. 2 – Jacques-François Gallay (1795-1864) Legato single articulation where, apart from a very gentle attack for each note, the motion should be seamless is yet another challenging area of flute...
Gallay Study No.1 - Trailer ARTICULATION STUDY from OP. 13, No. 1 – Jacques-François Gallay (1795-1864) Articulation on any woodwind or brass instrument is not without its complications. The way in which we bring life and sound to a note, irrespective of our...
Gallay Study No. 3 - Trailer ARTICULATION and FINGERWORK STUDY from OP. 13, No. 3 – Jacques-François Gallay (1795-1864) Even though the content of this study is very different to that of No. 2, as far as articulation is concerned, there are distinct...
Gallay Study No. 4 - Trailer ARTICULATION STUDY from OP. 13, No. 4 – Jacques-François Gallay (1795-1864) Reading and understanding a musical score, in this instance, Gallay, Opus 13, No. 4, should share parallels with reading a book. In a book, the words take...
Gallay Study No. 5 - Trailer ARTICULATION and INTERVALS STUDY from OP. 13, No. 5 Jacques-François Gallay (1795-1864) Repetition is a familiar method for drumming home a technical point, but that repetition is as good as useless if there is little in the way of...
Gallay Study No. 6 - Trailer BREATHING and PHRASING STUDY from OP. 13, No. 6 Jacques-François Gallay (1795-1864) I have to confess that when I was young, playing slow melodies on the flute held little in the way of interest to me. As is so often the case with...
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